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Tag: Bill Callahan

Feature: Holy Hell! ‘Insignificance’ is 20

December 3, 2021

What seemed a departure 20 years ago, another dramatic shift in tone and timbre, today seems like a bit of put-on. Or was it?…

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Review: Ramona Cordova – “Naive”

July 6, 2021

Home recording has been a blessing to the indie world, a truly democratizing force in a musical toolkit constructed out of DIY ethos. Yes,…

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Review: Bill Callahan – “Gold Record”

September 1, 2020

Whether or not you’ll like Bill Callahan‘s new record – his second in two years – depends, in good part, on your opinion of his…

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Review: Bill Callahan – “If You Could Touch Her At All” b/w “So Long, Marianne”

November 22, 2019

Forever-smoggy Austin singer-songwriter Bill Callahan radiates an alarming amount of warmth on two new covers from the classic American songbook, out today via Drag…

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Review: Tender Mercy – “War Within”

October 1, 2019

Under the moniker Tender Mercy, musician Mark Kramer creates eerie and unnerving skeletons of songs out of little more than a few carefully plucked…

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Review: Noemienours – “As A Beare Doth Her Whelps”

September 5, 2018

The German guitar-composer Noemie Dal on Sept. 10 will release her third outing, a Bob Weston-mastered LP and digital release via Bandcamp, under the…

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REVIEW: Yes Selma – “Songs of Happiness”

October 13, 2017

When Chad Beattie, a 24-year-old from Baltimore, first told me about his bedroom project Yes Selma – a Dancer In The Dark nod –…

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REVIEW: Wilt – “Hand Mirror”

August 11, 2017

Portland’s Taylor Malsey presents listeners with some warbled tunes and an inviting, warm blanket of melancholia on the excellent Wilt debut Hand Mirror, out…

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REVIEW: Sir Richard Bishop – “Tangier Sessions”

February 17, 2015

This is the story of a man and the guitar that took hold of him. The man styles himself Sir Richard Bishop, a Phoenix-bred…

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BOOK REVIEW: Bill Callahan – “I Drive A Valence: The Collected Lyrics”

December 15, 2014

Singer-songwriter Bill Callahan might be known more for his early lo-fi aesthetic and morose Minimalist middle period than the pensive Leonard Cohen-isms of his…

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  • An Index of Reviews
  • Features, Et Cetera
  • We Are Here