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Review: The Casket Lottery – “Short Songs for End Times”

November 19, 2020

At 6:27, the album-closing “Sad Dream” is by far the longest, most ambitious and most uncharacteristic song on Short Songs for End Times, the second post-hiatus…

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Review: David Grubbs – “October 19, 2017”

November 13, 2020

6 April 2020, “The Quarantine Concerts”: This is the first time I remember hearing David Grubbs like this, and I was unmoored by the presentation and…

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Review: Mr. Bungle – “The Raging Wrath of the Easter Bunny Demo”

November 4, 2020

Talk about being locked and loaded with enough context and rotting fruit to fill a stadium. The core members of once- (and future-?) postmodern…

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Review: Bad Wires – “Politics of Attraction”

October 13, 2020

Politics of Attraction, the full-length debut from Louisville power trio Bad Wires, is a Frankenstein’s monster of a rock record. The group, technically adept but…

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Review: Kronos Quartet – “Long Time Passing”

October 13, 2020

Long Time Passing: Kronos Quartet and Friends Celebrate Pete Seeger might seem, on the surface of things, like a noble attempt to celebrate or further…

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Review: El Ten Eleven – “Tautology III”

September 29, 2020

A kick-drum in the shape of a heartbeat appears some seven minutes into El Ten Eleven’s Tautology III, the final piece of its ambitious instrumental,…

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Review: Landowner – “Consultant”

September 23, 2020

Landowner‘s second LP, Consultant, is a beautiful bundle of chewed-raw nerves, with intensely geometric post-punk motifs providing the razor to scrape back and forth over…

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Review: Exhalants – “Atonement”

September 21, 2020

This year has become a Groundhogs Day of Nightly News shitshows in much of the Western world, but 2020 (we’ll give it this much)…

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Review: Skeletons – “If The Cat Come Back”

September 15, 2020

Matt Mehlan, leader of the self-described Skeletons b(r)and, has carved an underground career out of loose-limbed but densely constructed polyrhythmic rock-art that in its…

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Review: Twisted Pine – “Right Now”

September 14, 2020

On Twisted Pine’s self-titled debut, from 2017, the Boston trio unfurled master classes in Appalachian balladry with folk gems like “Lose My Love.” On…

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  • An Index of Reviews
  • Features, Et Cetera
  • We Are Here