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Review: Danger Mouse – “The Grey Album”

February 7, 2008

For the sake of context, let’s refresh our memories. Last month, EMI launched a cease-and-desist campaign against The Grey Album, Danger Mouse’s ambitious though…

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Review: Jello Biafra/The Melvins – “Never Breathe What You Can’t See”

February 7, 2008

In a political climate where partisan debate often resembles a primal scream therapy session, Jello Biafra — that godfather of politically charged punk missives…

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Review: Broken Hips – S/T

February 7, 2008

Just four minutes into its most recent release, Richmond’s Broken Hips hit a stride that most bands struggle and search for over the course…

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Review: Adam Gnade – “Run Hide Retreat Surrender” (II)

February 7, 2008

The lofty issues San Diego wordsmith Adam Gnade tackles on Run Hide Retreat Surrender are nothing if not ambitious and far-reaching, chief among them…

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Review: Knife In The Water – “Plays One Sound and Others”/”Cut The Cord”

February 6, 2008

  In a reductive sense, there a couple of categories in which you can shuffle and sort your standard lot of CD re-releases. The…

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Review: Zykos – Comedy Horn

February 6, 2008

Even with Dubya still firmly embedded in office, Zykos have managed to remind me that wonderful, wonderful things do in fact come from the…

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Review: Giddy Motors – “Make It Pop”

February 6, 2008

Giddy Motors proclaims that the band’s debut “combines the jazz influence of Miles Davis and Christian Vander with angular US post-punk.” The statement is…

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Review: Bastro – “Antlers: Live 1991”

February 6, 2008

Much ink has been spilled, and rightfully so, fawning over David Grubbs’ distinct body of work with post-rock avant-gardists Gastr del Sol, as a…

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Review: Curtis Eller’s American Circus – “Taking Up Serpents Again”

February 6, 2008

There’s something almost inherently disjunctive and disjointed about contemporary music entirely cast in the mold of its “Old Timey” or roots-oriented predecessors. While some…

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Review: Calexico – Convict Pool

February 6, 2008

If Joey Burns and John Convertino have injected into Calexico any element of their experience with Howe Gelb in underground luminaries Giant Sand, it…

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  • An Index of Reviews
  • Features, Et Cetera
  • We Are Here